Melvin (Mel) Theobald
Is Max up for choosing tomorrow's topic?
I know this isn't exactly what Dave had in mind, but I wasn't about to go into my history of lost loves. And judging by today's silence, I gather I'm not alone. So this is a different kind of story.
THE ONE THAT GOT AWAY
In 1990, I was invited to curate two painting exhibitions for the Russian Ministry of Culture. Working closely with Rosa Timchenko, the chief art historian at Rosart Amorim in Moscow, I learned that her husband was a legendary painter and insisted that his work be included in our exhibit. When the crates carrying a 100 canvases arrived in Chicago, Rosa was one of two Russians sent to supervise their unpacking. Part of my contract allowed me to purchase a paInting of my choice at cost. After considerable deliberation, I decided on her husband Igor Timchenko's painting "The Lace Makers".
LIttle did I know at the time that I would be going back to Moscow and befriending dozens more artists. Within a few years, I managed to build a sizable collection, but "The Lace Makers" held a nostalgic meaning for me and was the central piece in the group. After years of therapy, my wife and I entered into a bitter divorce that consumed us for two more years, until the fall of 1996, when my attorney proposed a break in our domestic war: if I was willing to part with the Timchenko painting, we could reach a settlement in the divorce. That was it, the final sacrifice. She kept the painting, I kept the rest of the collection, and we were on our own.
Yet, there was another unknown on the distant horizon. A decade later, we buried the hatchet and managed to build a friendship that centered around our children and graddaughter. She still owns the Timchenko, but I now receive frequent dinner invitations and get to see it regularly. Even so, I still think of it as THE ONE THAT GOT AWAY.
"The Lace Makers" 1970 by Igor Timchenko

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